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87 wyników Filtruj
E-book
W koszyku
Autor
Forma i typ
Sonic Wilderness accesses the critical value of unusual vinyl records that concern our relationship with nature. These wild records reveal unconventional perspectives on the entanglements of human life with animals, gardens and plants. They form a lyrical unconscious exposing the conventions and ideologies of popular music, their warped perspectives and acoustic radioactivity comprising a resistance to enduring social, psychological and political conditions.
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The Society of Interiors discusses a variety of spatial practices which critique, reveal, and resist the economical logic of a neo-liberal market. A market that caters for exclusiveness and individualities, where public space becomes an interior, that is highly controlled and privatized. The different essays unpack, develop and expand a diversity of interior and spatial practices in urban contexts that allow for a diverse public, express differences, and create other experiences and situations. Authors include the architect and researcher Tatjana Schneider, editor of the publication Spatial Agency (Routledge 2011); the activist architect Petra Pferdmenges from alive architecture in Brussels, the architectural theorist Peter Lang; the architect and artist Tor Lindstrand; as well as Rochus Hinkel, whose research focuses on the intersections between interior, architecture and urban environments.
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In the context of recent global political and economic disruption, architecture seems no longer equipped to address the demands of contem- porary society as an isolated discipline. One solution offered in this crisis of relevance is the notion of transdisciplinarity characterised by the hybridisa- tion of distinct disciplines. Transdisciplinarity is the New Order. In ection Volume 3 explores the achievements, limitations and future implications of this transdisciplinary age, weaving together a fragment of the tapestry that is expanded architectural practice. In tracing the trajectory of this New Order, this issue uncovers the matter that binds architecture together in this fragmented, yet hyperconnected epoch. Wir contributions by Forensic Architecture, Lateral Office, Rory Hyde, Breathe Architecture and many more... In ection is a student-run design journal based at the Melbourne School of Design, Melbourne University. Born from a desire to stimulate debate and generate ideas, it advocates the discursive voice of students, academics and practitioners. Founded in 2013, In ection is a home for provocative writing – a place to share ideas and engage with contemporary discourse.
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Imaginaries on Matter – Tools, Materials, Origins, promotes an innovative architectural research agenda that connects historical-cultural written research with digitally led material explorations. The common thread is the notion of the material imagination, disclosed in the reverie, or material daydream, which challenges overly pragmatic or unreflective material choices within current architectural practice. In bonding our imagination directly with matter while also confronting new technologies, this book promotes strategies by which architects' and builders' future relations with materials can stay rooted within the deeper concerns of cultural meaning. Imaginaries on Matter includes interviews with Aulets Arquitectes, Alibi Studio, Ensamble Studio, Geometria, Helen & Hard, KieranTimberlake, Supermanoeuvre, and Vandkunsten, as well as a postscript by David Leatherbarrow. Edited by Thomas Bo Jensen, Carolina Dayer, Jonathan Foote
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This book offers a vision of the London Underground written in the form of a ficto-historical narrative, which combines history and fiction in the creation of a set of theoretical propositions for London's subterranean transportation network. Its amateur-scholar protagonist takes the reader on a labyrinthine journey into the world of research, with sources personified and their works appropriated and subverted. The book offers a model for practising writing and research in the context of architectural history and theory.
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ZERO PIRANESI Giovanni Battista Piranesi's engravings, Campo Marzio dell'antica Roma of 1762, have a peculiar position within the discipline of ar- chitecture. With their dissemination, the folio collection of six etch- ings have till this day nurtured architects' speculations on the city. Since the Enlightenment, they - and in particular the Campo Marzio plan - have fuelled research, discussions and visions for the future of architecture. These engravings are also some of the most beau- tiful documents in Western architectural history. Zero Piranesi, is guest-edited by Peter Trummer. It celebrates Piranesi's vision of ancient Rome and the disciplinary search of the endless realities within his Campo Marzio plan of Rome. For Trummer, Zero Piranesi suggests an ar- chitectural methodology based on a theory of replacement. With it, Piranesi's plan of Rome is transformed into an "Object Plan" - a plan where multiple authors' various positions are absorbed. Thus, the "Object Plan" contains a kaleidoscope of ideas which form a crust of architectural speculations accumulated within. Zero Piranesi presents the seminal projects of Peter Eisenman and amongst others, Michael Young and Marrikka Trotter. Trummer's own version of Campo Marzio comprises of drawings and a text that together construct Zero Piranesi. Finally, the journal features the award winning projects of Städel-
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MEDIATED ARCHITECTURE: Vivid, Effervescent and Nervous, the second issue of the SAC JOURNAL, presents three projects de- signed at SAC during the last eight years. The three projects are: The Theatre of Immanence (2007), an installation and exhibition project in Städelschule's Portikus gallery; Digital Bodies (2013-14), an experimental research project; and Orkhēstra (2014), which was an installation on a large, public square in Frankfurt and part of Luminale, 'Biennale of Lighting Culture'. The projects vary in scale and nature from gallery installation via laboratory-style modelling experiment to an urban intervention. They span a period in which architecture's contribution to the production of space has become increasingly me- diated by technology. Each in their own way, the three projects probe this condition and explore new design opportunities given to archi- tecture. The results are vivid, effervescent and nervous – and always a mediated architecture. Accompanying extensive portfolios of drawi- ngs and pictures that document the respective design processes and their results, are texts that expound on the theoretical and practical implications of each project
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Diagrams: Tropes, Tools and Abstract Machines examines the pervasive roles of diagrams as analytical, generative, narrative and critical devices manifest in design practices by architects and non-architects that draw on thick cultural milieus and that operate at personal, architectural and urban scales. What are potentials of diagrams beyond representation, as situated cultural practices, corporeal engagement and choreographic script, as instruments of speculation and invention, as manifestation of ideas and incrimination of ideology, as abstract machines in scenarios of allopoïesis, autopoïesis and cosmopoïesis?
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Architectural Aesthetic Speculations expands our understanding of the role of formal aesthetic criteria in twentieth-century artistic practices and reveals potentially transformative aspects in the art of architectural composition. The book stages an encounter of philosopher Gilles Deleuze's (1925–1995) constructivist sensibility and architect Louis Kahn's (1901–1974) mode of architectural figuration. This book is of interest to architects, artists, historians and theorists and to those wishing to learn about contemporary aesthetic practice and theory.
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What happens when you are seen with a famous musician? Malina manages to get herself into this very situation. And the whole world is watching her now, thinking that she is together with him so that she would most like to hole up at the North Pole. To escape the general attention, she retreats. But then she encounters the pompous womanizer anew …
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Our built environment exists in a perpetual state of becoming, caught in a process of creation that is continuous and unending. If we wish to understand architecture today, we must engage with the state of flux that defines it. In 2015, Inflection Volume 02 considers the idea of projection, interrogating its meaning in architecture and the built environment. Bringing together the work of students, academics and practitioners from Australia and around the world, this issue addresses the trajectories of the architectural design process, the changing role of architects in society, and the continuing state of becoming that defines our cities. Includes contributions by Studio Gang, dNA Architecture, Pérez-Gomèz and Studio Sioli, Fender Katsalidis Architects, and others... Inflection is a student-run design journal based at the Melbourne School of Design, Melbourne University. Born from a desire to stimulate debate and generate ideas, it advocates the discursive voice of students, academics and practitioners. Founded in 2013, Inflection is a home for provocative writing – a place to share ideas and engage with contemporary discourse. Inflection is fundamentally a printed journal. The physicality of the object: its weight, texture and smell all contribute to the experience of the reader. Inflection asserts that criticality is possible in any mode of expression – written or drawn, prose or poetry. Inflection is themed and encourages a plurality of opinions.
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The term 'big data' is virtually ubiquitous in both cultural and technical contexts. The fifth volume of Inflection is an open-ended investigation into how designers are interpreting and countering the prevailing narrative that pushes for greater efficiency and automation using sophisticated data analytics. Feedback gathers a wide range of responses, united by their collective advocacy for a sophisticated understanding of processes, frameworks and ethics. Inflection is a student-run design journal based at the Melbourne School of Design, University of Melbourne. Born from a desire to stimulate debate and generate ideas, it advocates the discursive voice of students, academics and practitioners. Founded in 2013, Inflection is a home for provocative writing—a place to share ideas and engage with contemporary discourse.
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We live in a time when 3D printing has matured from a hobbyist and prototyping tool to a technology with potential to disrupt entire industries in and around the built environment. The developments in additive manufacturing are transforming architecture and design no less than they impact engineering and construction. The book portrays the rapid advances in research and industrial processes that have paved the road for this upheaval. In five chapters that cover historical development, engineering aspects, the digital design process, interactions with other technologies and potential for functionalization through additive manufacturing, the editors have curated a text that illustrates how a complex network of actors inspires and influences each other to make thistechnological transformation possible. The book follows the trail of scientists who prove the technology's viability and documents design explorations, prototypes and entire buildings that are demonstrating their readiness for the commercial market.
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Koolhaas pronounced urbanism dead in 1995. Since then, urban design has struggled to come to terms with this and other losses including environmental stability, af- fordable housing, design control, and urban amenity. This book explores urban design paradigms transitioning through a misappropriation of Kübler-Ross' "five stages of grief" – from pro-sprawl 'denial', NIMBY 'anger', revisionist NewUrban, 'bargaining', 'depressed' starchitects, through to an optimistic manifesto of 'acceptance'.
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Climate change, and the inevitability of sea level rise, will require much more of us than simply pulling back from the coastline. The thesis of Weston Wright's More Water Less Land New Architecture is that we need to start thinking in an entirely different way about the relationship of cities to waterfront sites and of the relationship of buildings to water, which means rethinking many of architecture's implicit premises. If architecture has been confrontational with water—think bold towers erected beside the sea, as if to dare the water to challenge them—Wright's argument is that we will need to be modest, accommodating, and accepting of the power and presence of water if our cities are to survive. He knows that nature is stronger than we are, and that best chance mankind has to build successfully will be to build with, not against, the reality of water. This is an important book, not least because its quiet, sober tone balances natural history with architectural history, and reaches across the world to show examples of architecture that accommodates to the water ranging from small vernacular houses on stilts to huge megastructures anchored like islands in the sea. Although Wright's argument transcends aesthetics or style, his book is, in the end, a case for the strength that comes from restraint, and perhaps even for the lasting power of gentlenes
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The Dual Approach in Architectural Design, and Contemporary Chinese Resonances Xi Ye is an academic at the Faculty of Humanities and Arts at Macau University of Scienceand Technology. Her research focuses on architectural and cultural criticism. Her recentpublications include 'Reviving a sense of poetry: assessing Wang Shu's contemporarydesign practice' (Architectural Research Quarterly, 2022). Xi Ye holds a Master of Artsin Urban Design from Cardiff University, UK and a PhD in architecture from NewcastleUniversity, UK. Conceptual and Pragmatic explores the tension between architects' intellectual idealsand expressions and the everyday experience of architecture and its practice. The bookalternates between the subjectivity and sensory experiences of the user, including itsrelationship to popular culture, tectonics, and vernacular architecture. Reflecting on theprocesses of concept-making and the cultural meaning of architecture, and their impacton architectural design, Xi Ye evaluates the influence of Western architecture on Chinesearchitectural practice and the tension of the former with Chinese cultural traditions andsocial conditions.
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If architecture is a design-centred discipline which proceeds by suggesting propositional constructions then, Zambelli argues, archaeology also designs, but in the form of reconstructions. He proposes that whilst practitioners of architecture and archaeology generally purport to practice in future-facing and past-facing-modes respectively, elements of these disciplines also resemble one another. Zambelli speculates that whilst some of these resemblances have remained explicit and revealed, others have become occluded with time, but that all such resemblances share homological similarities of interconnected disciplinary origin making available in the scandalous space between them a logically underpinned, visually analogical form of practice.
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(Extra) Ordinary Interiors features research articles and visual essays by academics, research students and practitioners that demonstrate contemporary modes of criticality and reflection on specific interior environments in ways that expand upon that which is ordinary (of the everyday, common, banal, or taken for granted).
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This special guest-edited issue extends the current discussions of art (inclusive of interior/ spatial design and architecture) as a process of social cognition and to address the gap between descriptions of embodied cognition and the co-construction of lived experience. Papers and exhibitions presented at the 2019 Bodies of Knowledge Conference have been advanced significantly as research articles and visual essays to focus on interdisciplinary connections across research practices that involve art and theories of cognition. These contributions emphasise how spatial art and design research approaches have enabled the articulation of a complex understanding of environments, spaces and experiences, including the spatial distribution of cultural, organizational and conceptual structures and relationships, as well as surrounding design features. Contributions address the following questions: • How do art and spatial practices increase the potential for knowledge transfer and celebrate diverse forms of embodied expertise? • How the examination of cultures of practice, Indigenous knowledges and cultural practices offer perspectives on inclusion, diversity, neurodiversity, disability and social justice issues? • How the art and spatial practices may contribute to research perspectives from contemporary cognitive neuroscience and the philosophy of mind? • The dynamic between an organism and its surroundings for example: How does art and design shift the way knowledge and thinking processes are acquired, extended and distributed? • How do art and design practices demonstrate the ways different forms of acquiring and producing knowledge intersect?
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Interior Technicity: Unplugged and/ or Switched On invites reflection on how interiors have always been augmenting entities and how they continue to be so—in other words, extending, facilitating and consolidating bodies within socio-cultural environments. Rather than seeing an interior as an 'inside' in opposition to a world beyond, it asks what modes of 'folding inward' have equipped and enabled the spatial environment? Technicity—the world of tools and technical objects that extend and mediate memory, as Bernard Steigler (1998) describes it—has never been what inside-ness, in its sheltering of life, keeps at bay; mediation is from the start technical, indexed to inscribing practices rich in temporal and embodied implications. By this reading, interiors have always been augmented and augmenting (in the sense of the Latin"augmentare": to increase, enlarge, or enrich). This IDEA Journal issue considers this mode of 'folding inward' as a condition of an interior'sspecificity. Whether it be a small structure such as a tramping hut or a tiny house, a large complex interior environment such as an airport or shopping mall, handmade with local materials such as Samoan fale, or the result of manufacturing processes assembling artificial and prefabricated elements as in the case of a spacecraft, boat or train, interiors are augmented, mediated, generated or embellished by technologies. The effect of these technologies is not neutral; one's experience of an interior is significantly influenced by the affective resonance of its technologies.
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